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Side One: Five Years / Soul Love / Moonage Daydream / Starman / It Ain't Easy
Side Two: Lady Stardust / Star / Hang On To Yourself / Ziggy Stardust / Suffragette City / Rock n Roll Suicide
Albums: The Rise and Fall of Ziggy Stardust and The Spiders From Mars (1972), Stage (1978), Santa Monica '72 (1994)
Singles: None issued
This website - The Ziggy Stardust Companion - takes its URL name (www.5years.com) from this wonderful opening song on THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS (1972). It was recorded in November 1971 at London's Trident Studios and was first premiered by Bowie and The Spiders on BBC radio's Sounds of the Seventies (Broadcast: 7 February 1972) and on UK TV (The Old Grey Whistle Test (Screened: 8th February 1972)) a full five months before the albums release.
It was performed live at all Ziggy Stardust concerts in 1972 and 1973 except for the 3rd UK Tour and on the later Station to Station (1976) and Stage (1978) tours. Reportedly Bowie was going to include "Five Years" in his Live Aid set in 1985 but voluntarily dropped it in favour of the showing of the BBC Ethiopia news appeal film.
Why did Bowie choose five years as the period left till doomsday? Well, Bowie told a questioning Cleveland journalist in 1972 that he chose five years simply because: "It was a bad afternoon."
However, there are some other interesting coincidences/explanations:
* Five years was the length of Bowie's RCA contract.
* In 1972, five years was also the period left till Bowie reached 30 years of age.
* The best explanation, however, concerns a dream Bowie had in 1971 in which his deceased father came to him and told him that he had only five years left to live and that he must never fly again. That this dream was indeed the explanation for the "Five Years" song title was confirmed by Bowie himself on the Dinah Shore Show on 3 January 1976 where Bowie gave an excellent live performance of the song. Dinah introduced the song with the words: "...David told me, interestingly enough, just as he walked over to the bandstand, that this is a song that was a direct result of a dream he had..."
His half-brother Terry may also have been an influence: ".... My records were selling and I was being a man in demand....I thought of my brother and wrote "Five Years"... - Bowie (Part of a never completed or fully published autobiography titled THE RETURN OF THE THIN WHITE DUKE - this excerpt featured in Rolling Stone magazine in January 1976)
* Other influences may have the been the similar "end of the world" science fiction of War of The Worlds and Day of the Triffids.
* Two poems are also strong possibilities: Roger McGough's "At Lunchtime - A Story of Love" in which people cast off their sexual inhibitions on a bus in response to the news that the world will end at noon and William Blake's "London".
The song documents the Earth's impending doom with only five years left before some unspecified disaster occurs and mankind is totally destroyed.
In a 1973 interview with Rollin Stone magazine Bowie stated:
"It has been announced that the world will end because of lack of natural resources. Ziggy is in a position where all the kids have access to things that they thought they wanted. The older people have lost all touch with reality and the kids are left on their own to plunder anything. Ziggy was in a rock n roll band and the kids no longer want rock n roll. There's no electricity to play it. Ziggy's advisors tells him to collect news and sing it, cause there is no news. So Ziggy does this and there is terrible news."
Also in a 1974 interview with William Burroughs - "Beat Godfather meets Glitter Mainman" - Bowie discussed this crisis:
Burroughs: Could you explain this Ziggy Stardust image of yours? From what I can see it has to do with the world being on the eve of destruction within five years.
Bowie: The time is five years to go before the end of the earth. It has been announced that the world will end because of lack of natural resources.
Bowie did the vocal for "Five Years" in two takes in the recording studio.
"The track is one master. The vocal we did, unusually, in two takes purely for technical reasons. David starts very quietly and so in order to get the best sound I had to crank the level, BUT, as you know he eventually becomes a power house and so I had to change all the settings. The vocal range was quite different for the second half of the song, and so we had to adjust the levels to compensate for that." - Ken Scott
Five Years (Bowie)
Pushing through the market
square, so many mothers sighing
We've got five years, what a
We got five years, stuck on my
We've got five years, what a
---This page last modified: 05 Feb 2007---